b. 1982 Artist CV
Bo Wang was born in Chongqing, China. He graduated with BS in Physics and Mathematics from Tsinghua University in 2004, with MS in Physics from Tsinghua University in 2007, and with MFA in Photography, Video and Related Media from School of Visual Arts in 2011. He currently works and lives between The Netherlands and China, and teaches at School of Visual Art. His solo exhibitions include: Song for the Dreamless (Yell Space, Shanghai, 2019), Heteroscapes (Lianzhou International Photo Festival, Guangdong, 2011), Heteroscapes (Gallery 456, New York, 2010). His selected group exhibitions include: Garden of Six Seasons (Para Site, Hong Kong,2020) (Upcoming), Everything You’ve Ever Wanted Is On the Other Side of the Planet (The Angewandte Innovation Laboratory, Vienna, 2020) (Upcoming), A rose is a rose is a rose (HOW Art museum, Wenzhou, 2019), Hot Flows: Pearl River Delta Arts Retrospective in Guangzhou (Art Museum of Guangzhou Academy of Fine Arts, Guangzhou, 2019), 2141 (FAS X Rongyi Art Museum, Shanghai, 2019), 5th Ural Industrial Biennial of Contemporary Art (Yekaterinburg, Russia, 2019), 2019 Seoul Biennale of Architecture and Urbanism: Collective City (Seoul, 2019), The Racing will Continue, the Dancing will Stay (Times Museum, Guangzhou, 2019), Infrastructural Territory (OCAT Shanghai, Shanghai, 2018), Life & Dreams: Photography & Media Art in China since the 1990s (The Walther Collection, Neu-Ulm, Germany, 2018), Bi-City Biennale of Urbanism/Architecture (Shenzhen, China, 2017), The Making of an Institution (Nanyang Technological University Centre for Contemporary Art, Singapore, 2017), We Chat (Asia Society Texas Center, United States, 2016), We Chat (Ezra and Cecile Zilkha Gallery, Wesleyan University, United States, 2016), Urban Livingroom (10th Shanghai Biennale City Pavilions, Shanghai, 2015). He has participated in screenings at The Guggenheim Museum (New York), Museum of Modern Art (New York), Garage Museum of Contemporary Art (Moscow), Visions du Réel (Nyon, Switzerland), CPH:DOX (Copenhagen), Essay Film Festival (Institute of Contemporary Arts, London), Image Forum Festival (Tokyo), Yebisu International Festival for Art & Alternative Visions (Tokyo), Asia Culture Center (Gwangju), DMZ International Documentary Film Festival (Seoul), BOZAR Centre for Fine Arts (Brussels), Times Museum (Guangzhou), International Film Festival Rotterdam (Rotterdam) among other institutions and film festivals. He has participated in artist residencies and symposiums including Yale-NUS College (Singapore, 2020), Zarya Center for Contemporary Art (Vladivostok, Russia, 2020), ACC-Rijksakademie Dialogue and Exchange (Rijksakademie, Amsterdam, 2018), ACC-Rijksakademie Dialogue and Exchange (Asia Culture Center, Gwangju, 2017), NTU Centre for Contemporary Art Singapore (Singapore, 2016), Oberhausen Seminar (Internationale Kurzfilmtage Oberhausen, Germany, 2016), Berlinale Talents (Berlin International Film Festival, Berlin, 2014), The Robert Flaherty Film Seminar (New York, 2013). His curatorial projects include: Nine Days to See (Pop up, Beijing, 2018), Ode to Infrastructure (META Project Space, Shanghai, 2016), We Landed/I Was Born/Passing by (Anthology Film Archives, New York, 2014).His work is collected in: KADIST (Paris / San Francisco).